Vol 2 Chapter 1830: Golden Phoenix (1)
This time, the situation was completely different from the Golden Phoenix Award presentation more than a month ago.
At that time, Xia Siyu did not have a female lead award. Although he had won Cannes before, he was still only a female lead after all.
A top-class player who has been in the top-class for ten years since his debut. The mainstream award is a female matchmaker. And she used to filming mainly on youth campus urban love. Although it is more pleasing at the box office, it can also be said that there is no depth, and the characters are just changed in appearance, and even the love relationship is similar.
The mainstream doesn’t recognize her very much, especially she is still scandalized. When it comes to her, Lace News is much more famous than the movies she made.
This situation has not changed even not long ago. Even in the past few years, her films seem to have suddenly become acquainted. From the beginning of “The Tempest”, two co-productions with Director Ji, “Spring Light”, and “Sunrise” produced by Bo Yan, her performance improvement in it is obvious to all. . As long as she is there, let alone Shang Feier, even if it is flimsy, she will be robbed of the limelight.
There was finally a story in her eyes. She was sitting and lying down, regardless of her domineering and arrogant posture outside the play, but as long as she watched a movie, her performance can make people enter the play instantly.
But no matter what, I didn’t get the award, it really seemed to be missing something. Especially the pink and black attributes of her body are too strong, as long as she comes out, she must be a war of curses with each other.
But now, this question has been broken. She won the award, and the award this time is well-deserved. At the beginning of the year, a lot of female fans who were so fascinated by her for watching “God Catching” were finally able to read “My husband won the prize!”
Heizi wanted to be black, but she had more stocks in her hands. Whether it’s “Sunrise” or “All Over the Country”, which was co-authored with Wang Shih for the second time, it is a good film that can win prizes at first glance.
At the box office, there are still super British movies waiting. Although the super-British movie is not without rushing to the street, the original story of Xia Siyu’s movie is pretty good. As long as it is not changed, it will not be bad to shoot according to the script. In particular, her partner is the most famous John Scott in the entire series, which is equivalent to sitting and waiting for the world to brush his face.
In Xia Siyu’s body, it was finally more positive to analyze whether Xia Siyu could win the prize.
This time she came out with “Sunrise”. As soon as the movie came out, it could almost be sent to textbooks for analysis and research. If the person analyzed is a blunt word, every sentence, every movement, every expression of his has been carefully designed. If he cuts out his content afterwards and studies it frame by frame, it will be possible to find a combination of beginnings, inheritance, and succession, and there is a rule to follow. But Xia Siyu is different. All of her details, tone, demeanor, and movements may be transferred to other people, some will appear artificial, some will feel too plain. But on her body and substituting into the role, it is absolutely 100% the state of the person in the play. Just like Chinese medicine, some prescriptions cannot be made into Chinese patent medicine, and the right medicine must be prescribed.
Also in “Sunrise”, her performance is no longer the jumping style of the past. For example, in “The Tempest”, there is a scene where she conflicts with the male protagonist. But at the beginning and end of that scene, as well as the connection with the next scene, it can be clearly felt that there are still some things we can’t grasp. But in “Sunrise”, her performance is flowing, like water, but when she is excited, like a waterfall splashing. When she was quiet, it was like a gurgling stream. And when she was desperate, it was like a cold pond. All the emotions are endless, every turn is just right, and even people can’t feel it, the ups and downs in the middle.
Moreover, Bo Yan accompany her to shoot the whole process and study the movie with her. The whole movie, as if her breathing, her heartbeat, ups and downs with her emotional ups and downs. This kind of shooting method, which is like the “stream of consciousness” in literature, completely mixes the original story in it. In the original story, there is also a feeling of joy or despair when watching people in the play from a cold third-person perspective. However, the film completely produced this kind of “fluid” narrative.
Although Bo Yan later made an egg that the heroine might not die in order to make a “reunion” ending, and also emphasized love, which reduced the style of the whole movie, but this kind of shooting is indeed very novel. .
Therefore, in addition to Xia Siyu being expected by all parties at the Golden Phoenix Film Festival this time, it is actually so.
Moreover, this guy may win two awards for best actor and best director.
**
The presentation of the Golden Moon Award is also in the tropics.
In mid-November, in most parts of China, it has entered the winter stalls. At the Golden Moon Award ceremony, most people are still wearing cool clothes. Of course, celebrities are not the same. Even if the celebrities walk on the red carpet in an environment of minus ten degrees, they still have to wear dresses and suspender skirts.
This time, Shang Feier also came. However, she was shortlisted for Wang Shi’s movie “The Moon on the Sea”. I came to report immediately after the screening. Fortunately, I was able to catch the last train of registration. “The Moon on the Sea” is also the theme of the Republic of China and the “Sunrise”. It is different from the “Sunrise” which focuses on Chen Bailu’s personal emotions. “The Moon on the Sea” is more like a group drama. The rise and fall under the background of glory and disgrace.
Although “A Bright Moon on the Sea”, Wang Shi was also more optimistic about Xia Siyu’s role. But in all fairness, Shang Feier performed well. The indifferent, dignified temperament on her is very much like that of a celebrity in the Republic of China. She and Xia Siyu, one is a dignified and broad-minded lady, the other is a decadent and glamorous socialite.
Although Xia Siyu’s voice was higher, she did not completely rule out the possibility of winning.
Moreover, this year there are some other films participating in the selection, including blockbuster films with the main theme, as well as films focusing on sociality and the rise and fall of small people, which are very good.
Although Xia Siyu took the best female lead, she didn’t feel that Jin Feng was also in her bag—even though Jin Feng didn’t even give her an admission ticket two years ago.
In the evening, I was officially on the red carpet. She and Bo Yan are both films of the Republic of China, so one of them wore a pearl white silk cheongsam, the other wore a slightly complicated suit, a top hat, and gold-rimmed glasses.
The two stood on the stage, raising their feet as if they had stepped into the old days, elegant and noble and a little ethereal.
However, I have to say that these two people stand together as a landscape.