Chapter 90: Next mural
The style of the third mural changed suddenly. A huge and terrifying humanoid monster appeared in the middle of the mural. Although it did not paint its appearance, it could still feel its **** violence.
A pair of huge palms gripped the two people who were pinched by it tightly, and the drop of blood flowing down was exaggeratedly enlarged, like a half-open faucet, dripping into a small stream.
In the huge deformed mouth, the half remnant was bitten tightly, and the sharp fangs bit through the half remnant thoroughly, exposing the sharp part.
Beside the monster, there is a group of soldiers fighting with spears, trying to launch a fierce attack on the monster. However, the length of the spear is the same as the hair of the monster’s legs, and it cannot pierce its thick skin and attack. , In vain.
Around the soldiers, there was a crowd of people running and fleeing. Although they were just the appearance of stickmen, they could still be seen from the degree of bending of their limbs. They were very frightened, and they were already exaggerated.
The picture ends here, next to it is the fourth mural.
The man holding a staff before, sitting on a tall horse, wearing gold and armor, majestic and majestic, still holding the staff tightly in his hand, oh no, it seems that it should belong to the king's staff. , And the person holding the scepter should be the king himself.
After the king, there were densely packed soldiers like a colony of ants, all holding shields and swords, murderous, and drove towards a small city in the distance, where the monsters should live.
Then, there is the fifth mural.
The monster's huge figure is in sharp contrast with the murderous elite soldiers. On the tragic battlefield, the corpses of countless soldiers are stacked on top of each other, half the height of the monster's body.
And that huge, fierce monster, even though there were wounds on its body, and dripping blood, it was still full of evil spirits. Holding a huge tree in his hand, it swept across the tide of soldiers like cutting wheat. A pair of heroic soldiers defeated.
And the last king, holding a scepter in one hand and a sword in the other, was eager to try, and the guards beside him all held weapons and followed closely to guard the life of the king.
"So many soldiers charge and fight to no effect. You are only a king, and you are not a god. If you charge up, you will definitely be dead."
I mumbled quietly, looked to the side, looking for the sixth mural.
However, I was surprised to find...
There is no sixth mural!
I'm seeing it well, it's gone?
The momentary contrast made me mentally confused, and I almost jumped and yelled. Fortunately, I managed my emotions properly and didn't make such boring and rude behavior.
Since there is no more text here, is it possible that the next frescoes are at the end of several other caves?
Although I don't know what the mural is meant to express, at least it can be used as a condiment in the process of searching for Pachi's niece.
After making up my mind, I moved on to the next cave.
The fifth cave is much more lively than the fourth cave. From time to time, a demonized bat will pop out and attack me, then it will turn into a cloud of black smoke, dissipate without a trace, and leave behind or One or two copper coins clinked, not even the material exploded, which made me very upset.
But fortunately, there were no traps in the fifth cave, and it was a smooth journey. When I reached the end, what I saw was the portal on the fourteenth floor.
Adding the previous three caves, I have now found four caves that can reach the fourteenth floor. Looking at the dark cave on the far left, I thought: As long as I finish this cave, the rest will be fine. It's a dead end.
When I walked out of the last cave that was fairly unobstructed, I turned around and looked at it. This is the seventh cave.
There is a dead end between the fifth cave.
I don't know if the fresco will be in this sixth cave.
Stepped into the sixth cave and found a different place.
Here, unlike the previous and subsequent caves that can walk through, it has a lot of similarities with the fourth cave-that is quiet.
No matter if it is a monster or something, everything is so silent, surprisingly quiet, and quiet, as if the whole world is alone in existence.
If it weren't for the traveler who often walked alone, he couldn't resist the terrible feeling of loneliness.
I moved forward cautiously, increased my vigilance very much, and swept every corner.
What surprised me, however, was that there were no traps in the sixth cave, which made me affirm one thing: traps are not innate, they must be caused by man.
The reason for this judgment is that I found a law, a law from the cave.
The eleven caves on the thirteenth floor have their own distinct similarities and differences. The five accessible caves are all ventilated and the ground is slightly dry, and the enchanted bats living in them are all relatively Active; the caves that are not accessible, such as the fourth cave and this cave, have a higher temperature and are extremely quiet. Even the enchanted bats appear drowsy and generally do not attack passersby.
Not only that, the internal structure and rock wall structure of the five accessible caves are almost the same, and the fourth and sixth caves are also the same. In the fourth cave, several simple and hidden deadly traps are displayed. , But there is no such thing in the sixth cave, that is to say, these should be man-made, not the **** of creation intentionally.
When I think of the trap in the fourth cave, I get angry. If I catch the **** who set the trap, I will definitely leave them in the trap and let them be the dinner of the enchanted bat!
Going a hundred and ten meters ahead, to the end, as I expected, there is indeed a mural.
Light the torch again, and take a closer look, the content of the mural continues the previous article.
Sure enough, the king with the sword died.
He was pinched to death in the hands of a humanoid monster. However, until his death, he still wore a crown and held a scepter. He did not know whether he was clinging to the power of the king or the faith of the kingdom, but he was dead. Not important anymore.
The king died, and the soldiers fled like ants.
At this point, the scene became so tragic that it was a unilateral killing game by monsters.
Turn to the next mural.
On the screen, a stickman with radiant light all over, standing in the void, with his hands raised, it seems that some ritual is going on.
Under his feet, countless densely packed stickmen knelt on the ground, praying and worshiping the stickmen in the sky.
And far away, a group of huge humanoid monsters were frantically attacking the air in front of them with weapons in their hands, and several of them were doing their best to push open the air barrier blocking them.
Not far from the air barrier, on a cliff, there are also several stickmen standing on it, holding their weapons.
Counting them down, there are seven in total.
Different from other worshipped stickmen, they appear to be more heroic and fearless, facing the tide of monsters, they are not afraid of death.
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